For GYOPO’s 2024 annual edition, artist Kang Seung Lee continues his investigations of the reimagined lives and legacies of overlooked historic figures lost to the AIDS crisis. In his distinctive style of graphite drawings, Untitled (Tseng Kwong Chi wearing a “SLUTFORART” t-shirt) draws from Lee’s body of work that meticulously recreates self-portrait photographs by Hong Kong-born artist Tseng Kwong Chi (1950-90) who was active in the queer NYC art scene in the 1980s.

Untitled (Tseng Kwong Chi wearing a “SLUTFORART” t-shirt), 2024
Archival pigment print, sambe, sealing wax, antique 24K gold thread on cotton rag
19 ✕ 13 inches
Edition of 50 
$750

Family Cuddle is a rare lithograph by Do Ho Suh. Crafted in collaboration with Red Breast Editions in London, Family Cuddle draws on a motif that Suh has returned to repeatedly in recent years through the mediums of watercolor, drawing and stitched thread. The image sees four forms combine in a tender embrace, their strength deriving from their independent shapes and color sources as much as their coalescing. This portrait draws on Suh’s career-long exploration of connectivity and the means by which family—intergenerational as well as chosen—forms and supports how we grow.

Family Cuddle, 2023
Lithograph on Fabriano paper
8 ¼ ✕ 11 ¾ inches
Edition of 100 
$1,250

“We perceive color in the context with other colors in its environment. In this way, our experience of color is always in resonance with its neighboring colors. ” —Yunhee Min

Produced exclusively for GYOPO, on offer is Yunhee Min’s first foray into lithography titled Yellow Study (for GYOPO). Min’s work explores color and techniques of making, both in terms of pictorial conventions and material processes, to generate unexpected outcomes and spatial effects.

Yellow Study (for GYOPO), 2022
Lithographic print on Somerset paper 
27 ✕ 19 inches 
Edition of 50
$500

Glove Plenitude, by Berlin-based artist Christine Sun Kim, is a limited edition of 50 lithographic prints, produced by El Nopal Press, will be sold to benefit the mission of GYOPO. Glove Plenitude is an artwork that reflects and questions the untold and changing narratives within the Deaf community.

Glove Plenitude, 2021
Lithograph
28 ½ ✕ 22 inches
Edition of 50
$750

GYOPO launches the 2020 artist edition by acclaimed New York-based painter Byron Kim, Cosmetic Portraits: Angela Dimayuga, Aruna D'Souza, Danny Park, Lulu Grier-Kim, Mihail Lari, Young Joon Kwak, Shizu Saldamando, Toba Khedoori, Peter Som, a 2-tiered limited edition and original work to benefit GYOPO. Printed by El Nopal Press in Los Angeles, and using makeup foundation as his medium, Kim has created an edition of 40 prints and three hand-painted works reminiscent of Synecdoche, which was exhibited to great acclaim at the celebrated 1993 Whitney Biennial. In collaboration with Kim, GYOPO selected nine AAPI participants in the US whose skin tones are represented in a grid.

Cosmetic Portraits: Angela Dimayuga, Aruna D'Souza, Danny Park, Lulu Grier-Kim, Mihail Lari, Young Joon Kwak, Shizu Saldamando, Toba Khedoori, Peter Som, 2020
CLE Cosmetics CCC Cream on paper
12 ✕ 10 inches
Edition of 40 
$1,500

Produced for GYOPO in a limited edition of 50, The Writing of Stones (2018) plays on the legibility of the rocks’ forms as a proto-language. Classified into typologies and arranged into sequences, the rock forms mimic the structure of language: they approximate grammatical categories and the proper word order of a coherent sentence. The Writing of Stones was made in response to French philosopher and sociologist Roger Caillois’s book of the same name, L’écriture des pierres, in which he speaks about deciphering naturally occurring forms not in order to define them, but to reveal them as they are. Porras-Kim's work is made through the process of learning about the social and political contexts that influence the representation of language and history.

The Writing of Stones, 2018 
Halftone screenprint
30 ✕ 22 inches
Edition of 50 
$500